I’m dying. Is it blissful? It’s like a dream. I want to dream.

Circles is a fascinating album, one that doesn’t differentiate much from previous ones, but is just as grand and interesting. If it’s anything to go by though, Moon Duo are a pair who rightfully travel at their own pace and rushing them would onl

Our life is an apprenticeship to the truth, that around every circle another can be drawn; that there is no end in nature, but every end is a beginning; that there is always another dawn risen on mid-noon, and under every deep a lower deep opens.

O Amplifest não é só um festival. Não é só música, não é só bandas, e não é delimitável. É uma experiência de partilha de arte com os artistas, de opiniões com o público e de momentos únicos com uma família numerosa, de que todos f

Fizemos uma pequena selecção para o Arte-Factos, media partner do Amplifest. E concentrados e apaixonados que estamos pelo grande evento, os temas giram à volta do mesmo, claro. Aqui.

See more of this Year of No Light interview here at Ruído Sonoro.

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Six months ago, no one would’ve pegged San Francisco’s Deafheaven as a likely juggernaut on the national heavy-music scene. Though its 2011 debut Roads to Judah was powerful, Deafheaven’s blend of scabrous black metal and morose pos

Being able to start over after spending so long in an iconic band speaks volumes for the power of Kim Gordon’s art and vision – she might never meet with the same critical acclaim as Sonic Youth did, and I’m sure she’s past caring about such

Chicago three-piece Russian Circles, known for their massive instrumental rock concoctions, are set to release their fifth LP, Memorial, on October 29th on Sargent House. Bassist Brian Cook calls the record “straightforward, intense, heavy,&#82