Quem abandona a zona de conforto, i.e. o palco, e se espalha pela plateia, é digno de lograr pontos positivos. Recordando, pela sua insânia, as fanáticas noites à Lightning Bolt ou à Monotonix, o duo Putan Club fez o que quis da Sala 2: a
Chelsea Wolfe, who by the end of the first sentence she utters into the mic has the entire Amplifest curled up in her hands begging for more. She has blossomed into a true diva but not at the expense of the mystery and evocative power of her songs, a
A myriad tem como significado um número infinito de coisas, porém aqui, representa um fragmento e seguimento da série Natureza Humana, a contínua exploração da relação do Humano com a Natureza. Maria Louceiro nasceu no Porto, estudou Engenhar
The Obelisk, who considered Amplifest as a badass European fest, recommends you to come if you’re around. We go further: event if you aren’t, you should definitely check the following low-cost air companies where in most of the cases you
RA, a Portuguese-born solo endeavour headed by Ricardo Remédio, transmutes the human restraints, the narrowness of our natural reach, into a digital and sidereal electronic throb. Its first EP, «Rancor», came out two years ago through the evergrow
Hope you like it as much as we do. Thank you, André Coelho!
From tomorrow until September 29th, at 3pm, we’ll post a pic per day at Amplifest’s Facebook page. Be the first to guess the name of the band and the one who collects more wins will go to Amplifest for free. 1st place: Amplifest weekend t
Pallbearer are on the cover of Decibel Magazine’s latest issue. “The torch is passed to doom’s next big thing”, they say (and we agree). Pallbearer will play at Amplifest on October 4 – more info on Amplifest here. You c
Lone works as a cinematic counterpart of Chelsea Wolfe’s latest album Pain is Beauty, but it stands perfectly on its own as a beautiful and enthralling art piece. Crafted both by Wolfe herself and renowned director Mark Pellington, Lone brings to a
Heavy Metal music is, unquestionably, a product of western culture – but the anger that leads to such an extreme way of expression is universal. ‘March of the Gods’, directed by Raffaele Mosca, is a rockumentary that portrays the thriving Metal