Blending industrial, noise and power electronics, Pharmakon’s music is definitely apocalyptic in its nature but still manages to crawl sneakily into the listener’s mind with its slow pace of deep, droning percussion. The orchestration of this inf

Looking at the slow, barbaric and suffocating marches of their industrial beginnings, at the opressive folk-rock albums of their nineties career and at the overwhelming orchestrations released after the band’s rebirth in 2010, one can only realize